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Heart of Darkness revisited: Some lino prints

While I was adding some more pictures to my gallery a couple of weeks ago, I came across a series of lino prints that I did for a local art project in 2017, based around Joseph Conrad’s book Heart of Darkness. https://www.gutenberg.org/ebooks/526

Heart of Darkness begins aboard the British ship, Nellie, which is anchored in the Thames, near Gravesend. As the crew wait for the weather to clear, one of the sailors, Marlow, tells the story of the time that he travelled in a steamboat up the River Congo. He describes his shock at the European traders’ treatment of the natives and how the experience of trading in Africa changes people. He relates what he has learnt about the darkness of the human heart, and the things of which that darkness is capable.

In Chapter One, Conrad describes the scene from the ship, Nellie, looking up the river towards London.

Chapman Light on the Thames features in Chapter 1 of Joseph Conrad's Heart of Darkness
Chapman Light – limited edition lino print

The sun set; the dusk fell on the stream, and lights began to appear along the shore. The Chapman light-house, a three-legged thing erect on a mud-flat, shone strongly. Lights of ships moved in the fairway—a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars.

I’ve done a lino print of the Chapman Lighthouse, separately from the Heart of Darkness project. https://duncangrantartist.com/product/chapman-light/

The 2017 Heart of Darkness art project, hosted by St Andrews Arts Centre in Gravesend, was organised by Terry Lane, who I used to work with back in the day.  It featured excerpts read from the book, accompanied by projected images and live music composed specially for the event . The bands involved were The Closer We are to Dying (Terry’s band) https://www.facebook.com/thecloserwearetodying/ Whthppnsfpshthtbttn?, The Bleak Industrialists and The Science Department, and the projections were produced by Mike and Romana from The Hot Tin www.the-hot-tin.co.uk through their company Routestock https://www.routestock.org/about?fbclid=IwAR3AQlfQ_wjB4IzGoxS2dLPqbWpEOEAAfR0_2GSOaJuRqSMiw7xaFjkVn6o

The boat anchored on the Thames at the start of Conrad's Heart of Darkness
Boat – limited edition lino print

Several local artists, including me, provided artwork, inspired by scenes from the book. Others involved were Matt Kilda, Jane Prangnell, Mark Wrangham and Nikki Price.

Mental health is a key theme in Heat of Darkness and the show was produced in association with North Kent MIND http://northkentmind.co.uk/, with all ticket money donated to them.

If you missed it, these You Tube clips give a flavour of the event.



If you’ve read the book you’ll know that, as well as being an adventure story, Heart of Darkness is bleak. It explores thenes of greed, cruelty and humanity, and raises troubling questions about imperialism. It is said that Conrad made the book deliberately hard to read. He wanted the reader to feel as though they were fighting through the jungle, just like Marlow did in search of the desperate and deranged ivory trader Kurtz.

My pictures, all lino cuts for the project, focused mainly on the weird and the macabre in the book, plus a couple of others on a maritime theme.

Maps and charts use for navigation up the Congo in Conrad's Heart of Darkness
Chart table – limited edition lino print

As a boy, Marlow, the storyteller in Heart of Darkness, was fascinated by maps and longed to be an explorer. After several years sailing in the Pacific he returns to London, and inspired by a map of Africa and the Congo River that he sees in a shop window, he takes a job as a steamboat pilot and sets off into Africa dreaming of adventure.

River Congo described as a snake in Conrad's Heart of Darkness
Snake – limited edition lino print

But Marlow’s comparison of the river to a coiled snake is a portent of the evil he would later encounter.

But there was in it one river especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land. And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird – a silly little bird.

Marlow soon realises that his employer, ‘the company’, is in the Congo for gain and to spread European ideals. ‘The company’ say they are ’emissaries of light’, but what Marlow sees are ‘groves of death’.

Images - Conrad's Heart of Darkness
Heads – Limited edition lino print
Death and decay in Conrad's Heart of Darkness
Skeletons – limited edition lino print

 

 

 

 

 

 

 

 

Heads on sicks at the climax of Conrad's Heart of Darkness
Heads on sticks – limited edition lino print

 

The heads on sticks appear at the end of the book and symbolise Kurtz, the ivory trader’s, excessive brutality and madness.

Now I had suddenly a nearer view, and its first result was to make me throw my head back as if before a blow. Then I went carefully from post to post with my glass, and I saw my mistake. These round knobs were not ornamental but symbolic; they were expressive and puzzling, striking and disturbing—food for thought and also for vultures if there had been any looking down from the sky; but at all events for such ants as were industrious enough to ascend the pole. They would have been even more impressive, those heads on the stakes, if their faces had not been turned to the house. Only one, the first I had made out, was facing my way. I was not so shocked as you may think. The start back I had given was really nothing but a movement of surprise. I had expected to see a knob of wood there, you know. I returned deliberately to the first I had seen—and there it was, black, dried, sunken, with closed eyelids—a head that seemed to sleep at the top of that pole, and, with the shrunken dry lips showing a narrow white line of the teeth, was smiling, too, smiling continuously at some endless and jocose dream of that eternal slumber.

I was interested to find out that the film Apocalypse Now  was based on the Heart of Darkness, but set in the jungles of Vietnam during the Vietnam War. It explores the ways in which the ‘darkness’ of Vietnam caused an apocalypse in the hearts of those sent there to fight, just as the ‘darkness’ of the Congo revealed the darkness in the hearts of the European traders.

My Heart of Darkness  limited edition lino prints are available to buy in my gallery https://www.duncangrantartist.com/shop/

Boat – https://duncangrantartist.com/product/heart-of-darkness-series-boat/
Chart table – https://duncangrantartist.com/product/heart-of-darkness-series-chart-table/
Heads – https://duncangrantartist.com/product/heart-of-darkness-series-heads/
Skeletons – https://duncangrantartist.com/product/heart-of-darkness-series-skeletons/
Heads on sticks – https://duncangrantartist.com/product/heart-of-darkness-series-heads-on-sticks/

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Photography on a postcard: Urban Contemporary vs Street Photography

A selection of postcard-sized images in the Art on a Postacard Urban Contemporary vs. Street Photography auction for the Hepatitis C Trust 2019

For the last three years, I’ve been invited to submit mini artworks for a secret auction by Art on a Postcard www.artonapostcard.com. This brilliant art charity raises money for The Hepatitis C Trust’s campaign to eliminate hepatitis C in the UK by 2025. http://www.hepctrust.org.uk/

It works like this. Famous and emerging artists are invited to donate postcard-sized (10cmx15cm) original, images for auction. Over the years Art on a Postcard have had postcards donated by Sir Peter Blake, Damien Hirst, Harland Miller, Gavin Turk, Rachel Howard, Gilbert and George, Polly Morgan, John Wragg RA, Stephen Chambers RA, Michael Craig-Martin, Chantal Joffe, Cecily Brown, Grayson Perry, Julian Opie and Jeremy Deller. The cards are displayed to the public in a gallery exhibition and, simultaneously, on online auction site, Paddle8. https://paddle8.com/ 

The twist is that although the names of all the contributing artists are published as a list, you don’t find out which artist produced which work until after the auction is over. You have to guess.

Trying to match artists to their pictures in a kind of artistic Whodunnit is part of the fun, and with bids starting at around £50, there is a chance that you could buy something from an artist that you probably could never ordinarily afford.

Here is one of Art on a Postcard’s Facebook videos from a previous auction in which Director, Gemma Peppé previews some of some of the cards and entices potential punters to guess the artists. https://www.facebook.com/ArtonaPostcard/videos/1819606894762754/

‘We have a group of men who pride themselves on knowing who everyone is, even the more obscure artists’ she says. ‘But last year they got the Marina Abramovic totally wrong! And another year, the money went everywhere because nobody could work out which was the Damien Hirst, and a huge amount of money went on a picture of a pig by a relatively unknown artist, because bidders decided that was the one.’

Last year’s Art on a Postcard raised £81,000 for the Trust.

The fight against Hepatitis C
Hepatitis C is a virus that is transmitted from person to person by infected blood. 90 per cent of people with hepatitis C have contracted it through injecting drugs with contaminated needles. Others will have got it perhaps from having tattos or medical treatment abroad, or in the UK, pre 1991, from infected blood products. https://www.infectedbloodinquiry.org.uk/

To eliminate the disease by 2015, everyone who is affected needs to be found, diagnosed and treated. Drug treatment has improved greatly in the last few years, and as more people are cured, there are fewer people with hepatitis C to infect others. ‘It’s that last ten percent who are the most difficult to reach,’ says Gemma Peppé. ‘General awareness campaigns just don’t work. People don’t really take any notice unless hepatitis C is already on their minds. And they’re not going to pay any attention to material that is aimed at drug users, if they just injected drugs once, years ago at university, because they wouldn’t see themselves as that. But people do engage with Art on a Postcard and it just might reach that target group.’

Gemma discovered that she had hepatitis C fourteen years after contracting it in 1988. While she was ill she started working for The Hepatitis C Trust on their celebrity-led awareness campaigns but after being cured in 2013, she regained her energy and, in 2014, launched the first Art on a Postcard auction, with a colleague.

Since then Art on a Postcard has gone from strength. Gemma now produces a fine art postcard auction each November – that’s the one I’ve contributed to – and two photographic auction events. One auction takes place as part of Photo London, held each May at Somerset House in London. The Hepatitis C Trust is the official partner charity.

Photograhy on a Postcard 2019
And being launched today is another annual photographic auction Photography on a Postcard, which features contemporary urban art and street photography. https://www.artonapostcard.com/spitalfields-2019

This year the auction is curated by street artist Ben Eine and street photographer Dougie Wallace. It features over 600 images by some of the most collectable and interesting contemporary urban artists, including Anthony Lister, Vhils, Ed Kashi, Melanie Einzig, Shok1, Sandra Chevrier, Nick Thomm. View the list of participating artists and the auction catalogue here https://www.artonapostcard.com/spitalfields-2019

If you are interested in getting involved, the Private View is on 2nd July Central Mezzanine at Old Spitalfields Market, 16 Commercial Street, London E1 6EW. At this event, Art on a Postcard will join forces with Jealous Gallery https://www.jealousgallery.com/ who will be live screen printing and releasing an iconic Ben Eine ‘S’ for Spitalfields.If you would like to attend the private view, you can but tickets here https://aoap.eventbrite.co.uk.

Bidding on all artwork starts at £50. And to help you to find a bargain, Old Spitalfields Market have published a guide to the hottest names to look out for https://oldspitalfieldsmarket.com/journal/how-to-pick-up-a-work-by-a-world-famous-artist-for-as-little-as-50?fbclid=IwAR2x8F7pjQ267c-G750lCZUIDeQJ4z4QvpDMlyuCwNpN4vuD0-N-BLfBelA

The exhibition continues at Spitalfields until 7th July. If you can’t wait or you can’t get there, the auction itself starts today and runs until 10 July 2019. You can browse and bid on Paddle8. https://paddle8.com/auction/art-on-a-postcard. And on Saturday 6th July, Art on a Postcard will be curating five stalls in Old Spitalfields Market and will be joined by the artists Sara Pope and Rugman. So do pop along there if you get the chance.

Look out too for other Art on a Postcard events too. They’ve done one off-events such as Art on a Ukulele and there is an annual car boot sale, which has attracted artists like Tracy Emin, Peter Blake and Gavin Turk. ‘The trick is to get a destination artist,’ explains Gemma Peppé. ‘The year we had Harland Miller, people started queueing from 2pm the day before.’

And if you miss out on the auctions there is always the Art on a Postcard shop, where you can buy boxes of postcards https://www.artonapostcard.com/art-on-a-postcard-boxsets and limited edition, signed prints, of pictures from previous auctions. You might recognise this bloke https://www.artonapostcard.com/duncan-grant

 

 

 

 

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What a relief – a blog about lino cutting!

Last weekend I did a lino cutting workshop at Northfleet Central, Northfleet Big Local’s community centre http://www.northfleetbiglocal.com/  After a short demonstration, everyone got going and produced some amazing work – see the slideshow below. Thanks to Mandy Wooding and Mandi Knight for the photographs.

Don’t worry if you missed the workshop, I’ll be running another one at St Andrew’s Arts Centre on August 11th, 11am until 5pm-ish. Tickets are £10, including materials. Proceeds will go to the Cafe 84 Community Christmas Dinner fund. https://duncangrantartist.com/2019/04/07/only-261-more-days-until-christmas-time-to-think-about-lunch/ If you want to come to the workshop, please let me know as soon as possible, as places are limited. More information here: https://duncangrantartist.com/event/lino-printing-workshop/

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Lino cutting is a type of relief printing. It developed from wood cutting, which was the main way of illustrating books before hot metal etching plates were used.

Lino (linoleum) was invented and used as a floor covering in 1863. It’s a natural product made from solidified linseed oil, pine rosin, ground cork dust, sawdust, and chalk. The name was coined by Frederick Walton who combined the Latin word for flax, ‘linum’ with the Latin word for oil, ‘oleum’.

The lino cutting technique wasn’t really used by artists until the 1900s. Some of the first examples of lino printing as art came from artists in Die Brücke, Germany, where the technique had previously been used for printing wallpaper. In 1911, ‘linoleum art’ by Vojtěch Preissig made its first appearance in a gallery in New York City.

When Picasso and Matisse used lino cutting in their work, it became an established professional print medium.

 

 

 

 

 

 

 

 

The lino cutting technique is quite simple. I start by cutting my lino squares. Because it is a natural material, if it is cold, lino can be brittle and break. So I work with two pieces at once. I sit on one to warm it up while I work with the other.

Lino is a great medium for printing because, once it is warm, it is soft, pliable and easy to cut. Also, unlike wood, it doesn’t have a grain so you can cut in all directions equally easily. Before you start to cut, sand the lino gently with a fine grade sandpaper. This helps the ink to stick and makes it easier to get a consistent result when you print.

In the UK , lino was made in Kirkcaldy, Scotland by the Nairn family. It is still used as flooring in hospitals and prisons because it is so durable and hardwearing, but it has been largely superseded in by vinyl and laminate flooring for domestic use. This means it is now quite difficult to get off-cuts to use for artwork, although there is still a major lino stockist in East London. You can, however, buy alternatives to lino in art shops. So, for example, children often learn relief printing using ‘dry point’ on thin polystyrene tiles.

Anyway, once you have your lino ready, you cut your design with sharp V- or U-shaped tools. Be careful, lino cutting is a blood sport! Remember, the uncut (raised) areas are a reverse of the image you want to print.

Next you spread a thin layer of ink on a glass plate. I use a glass chopping board from Lidl. Then, you ink up your carved lino with a roller, called a brayer, and then place it on to a sheet of paper, holding it carefully in one position. You need to press down evenly. I do this by hand, using a metal spoon, pressing it all over so I get an even print. Some people use a printing press. This YouTube video gives a good introduction.

I’ve been lino printing now for about five years – I’m not sure how long really. I like it because it is so ‘hands on’.  As a teenager I was always whittling away, turning bits of wood into animals and other objects, and it’s really the tactile nature of lino printing that appeals to me. It allows you to put your ideas directly into your hands as you carve your design and, although you’ve got to concentrate, it’s relaxing because you’re not thinking too deeply, you’re just there in the moment with your design. As far as the prints go, I quite like the monochrome effect and also that sense of never quite knowing what you’re going to get when you peel that first print off the lino.

Here are a few of the limited edition prints I have done and which are for sale in my gallery.  There are loads more. Just go to https://duncangrantartist.com/product-category/prints/lino-cuts-prints/. Specific links to the image feaured at the top of this blog and the three you can see here are given below.

 

The image featured at the top of this blog is Fear of Falling it is part of a series I did about the Tube https://duncangrantartist.com/product/fear-of-falling/

Those above are:
Washing Day https://duncangrantartist.com/product/washing-day/
Octopus https://duncangrantartist.com/product/octopus/
Shipbuilding https://duncangrantartist.com/product/shipbuilding/

UPDATE (18/6/19)
Interesting article on the Times today The artists who printed the modern world – Cutting Edge: modernist British Printmaking at Dulwich Picture Gallery https://www.thetimes.co.uk/edition/times2/the-artists-who-printed-the-modern-world-cutting-edge-modernist-british-printmaking-at-dulwich-picture-gallery-rbm9s3rtz 

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Can you judge a book by its cover? Maybe…….

I’ve known about this for a while but had to keep it stum. But now it is in the public domain, I can tell you some really exciting news.

One of my Liberty SMALL TOWN fabric colourways (see main blog picture above) has been chosen by publisher Faber and Faber https://www.faber.co.uk/ for fabric covered edition of their 2018 Booker Prize winning novel, Milkman by Belfast-born author, Anna Burns. Burns has also just been shortlisted for the 2019 Women’s prize for fiction https://www.womensprizeforfiction.co.uk/reading-room/news/revealing-the-2019-womens-prize-for-fiction-shortlist. The new edition of Milkman will be published on 5th September this year.

If you’re interested, the book is available for pre-order from a number of booksellers. Here is the Amazon link https://www.amazon.co.uk/dp/0571355072/ref=cm_sw_r_fa_apa_i_A6.3Cb0ZE38XS

I’m not sure that the image that they’re using at the moment will be the final cover. I’m expecting some more information nearer to the publication date, but look out for my Small Town design on the publicity when it’s launched.

Have you read the book? I’ve just started reading it on my holidays. I think its pretty good. Quite experimental, so for instance, none of the characters have names.

The online reviews are mixed. Here is what the publishers say:
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes ‘interesting’. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

More news on the book when I get it.

If you haven’t seen them already, here are the links to my fabrics on the Liberty website:
DUNCAN GRANT https://www.libertylondon.com/uk/search?q=duncan+grant
SMALL TOWN https://www.libertylondon.com/uk/search?q=small+town

Originals of my Small Town Ink Drawings and digital prints are available in my Gallery:
ORIGINALS https://duncangrantartist.com/product-category/original-artwork/drawing-ink/
PRINTS https://duncangrantartist.com/product-category/prints/ink-drawing/

And talking of artwork, I’ve just added some new pieces for June, to the gallery on my website  – originals, lino prints and digital prints – some of them are recent, some have been around a while and you may have seen them before. Do pop in and have a look. http://www.duncangrantartist.com/product-category/new-artwork/

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What a Liberty! Great first night at the Hot Tin

What a fantastic opening night of my What a Liberty! exhibition at the beautiful Hot Tin https://www.the-hot-tin.co.uk/ in Faversham, Kent! Thank you to everyone who came. Thanks to our hosts, Mike and Romana. And thanks Roger Crosby, Karen Glykys (Instagram @karenglykys) and Emma Hill www.emmahill.co.uk for the images in this blog.

The exhibition featured some of my art,

plus some pieces from the other three #LibertyOpen Call winners – Emma Hill, Natasha Coverdale and Catherine Rowe.

 

It was great that Natasha and Emma could be there too with their families.

Fuelled by The Hot Tin’s cocktail ‘The Drunken Duncan’ (gin, lime , lovage and absinthe) concocted specially for the occasion we talked and danced through the evening to Northern Soul, from DJ Ged ‘Stax Volt’ Kelly.

 

 

I got a 5m length of Tana Lawn in green as part of my prize, so I draped that above the bar.

I also bought a metre each of the other 5 fabrics that are now on sale at https://www.libertylondon.com/uk/edits/open-call/ (‘How much!’ As my Dad would say). These were stylishly modelled by the lovely Melanie, Starry and Misty, throughout the evening.

This video from @karenglykys captures the evening really well

 

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If you weren’t able to pop last night, the exhibition runs until 4th June. Full details here https://duncangrantartist.com/event/exhibition-of-small-towns-to-coincide-with-liberty-london-open-call-launch/ or via ‘Events’on this website.

And if you cant get to Faversham, there’s no excuse, you can catch What a Liberty! (Mark 2) A Midsummer Night’s Scream at the Iron Pier Brewery, Gravesend https://www.ironpier.beer/ from 22nd June, featuring music from the Brilliant I Doris https://www.facebook.com/IDoris/and Hippy Tart Heroes https://www.facebook.com/HippyTartHeroes/  a food wagon  and of course beer! More details here https://www.duncangrantartist.com/event/midsummer-nights-scream/

If you can’t get to either exhibition, all my art is in the Gallery on this website https://www.duncangrantartist/shop/

Cheers!

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Last call Christmas cards: One week to go!

Just one more week to get your Christmas card designs to me.

Lots more have come in but we still need MORE. The more cards we have, the more money we make, the merrier the Christmas.  Deadline is 19th May 2019

Anyone can join in – wherever you are in the world, whatever your your age, artistic skills, experience or ambitions. All you have to do is design a Christmas card and donate it to the project.

You can see the original post here, which explains about the Christmas charities the project is to support (Christmas lunch at  Cafe No. 84 https://www.no84.co.uk/and Crisis At Christmas) https://duncangrantartist.com/2019/04/07/only-261-more-days-until-christmas-time-to-think-about-lunch

Nearer to Christmas, we’ll have an exhibition of all the cards at No. 84 and a launch event. If loads of people get involved we could also have other exhibitions or events at local venues.

If you want to join in, here is what you have to do:

  • Design a Christmas card that you are willing to donate to the project free of charge
  • Get your design to me by the 19th May 2019
    You can send a digital image of your artwork (minimum 300 dpi) to duncangrant158@gmail.com – please put your name and contact details in the email
    OR
  • You can send me the original to be photographed professionally. Please remember to write your name and contact details on the back.
  • If you live further afield and need to send an original, drop me an email and I’ll send you my postal address.

RULES
Only one – designs must be rectangular. They can be in any size and any medium because they are all going to be photographed.

Please do get involved, it will be fun and all in a good cause.

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Launch day: My Liberty fabrics are now for sale!

Well, what a day. Today I finally got to see the fabrics created from my winning #LibertyOpenCall design for sale on the shelves of Liberty! It was the first time seeing them for real. We only saw the strike offs when we visited the factory in Milan. The fabrics looks fantastic, brilliant quality and great colours. I have three colourway of one design ‘Duncan Grant’ on Tana Lawn and three of a second design ‘Small Town’ on silk.

 

 

 

 

 

 

To mark the launch, the store was decorated with panels of our fabrics and information about each of the four winners all the way up the stairs and around the Haberdashery Department.

We were treated to breakfast with the design and sales team and then signed copies of our original designs, which will go into the famous Liberty archive.

We each received 5metres of one of our fabrics – I chose the one closest to my original design in terms of colour, and then I couldn’t resist buying a metre of each of the others.

All six will make an appearance at my What a Liberty! exhibition at the Hot Tin from 18th May, if you want to see them and can’t make it to the store. https://duncangrantartist.com/event/exhibition-of-small-towns-to-coincide-with-liberty-london-open-call-launch/

As one part of the journey ends, another begins. We’ll be kept informed of how our fabrics are used. So if, say, a fashion house uses one of our designs of fabrics for a garment in their 2020 season collections, Liberty will tell us and will keep our names with the designs as far as they can.

Will let you know about any developments on here. Thanks to everyone who has encouraged me, voted for me and supported me so far.  One of you is getting a pair of designer boxers. You know who you are!

Here are the links to my fabrics on the Liberty website:

DUNCAN GRANT https://www.libertylondon.com/uk/search?q=duncan+grant

SMALL TOWN https://www.libertylondon.com/uk/search?q=small+town

Originals of my Small Town Ink Drawings and digital prints are available in my Gallery:

ORIGINALS https://duncangrantartist.com/product-category/original-artwork/drawing-ink/

PRINTS https://duncangrantartist.com/product-category/prints/ink-drawing/

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Reminder: Christmas card deadline approaching – 19th May

I recently posted about this Christmas-themed community art project to raise money for local and national Christmas charities. https://duncangrantartist.com/2019/04/07/only-261-more-days-until-christmas-time-to-think-about-lunch/

I’ve already received some great designs – you can see some of them in the picture above – but we need MORE!

The more we get, the more money we can raise. But the deadline 19th MAY is approaching fast so get out your pens and brushes and get creative.

Anyone can join in – wherever you are in the world, whatever your your age, artistic skills, experience or ambitions. All you have to do is design a Christmas card and donate it to the project.

Designs will be made into A6 cards and sold in packs of 6, with all profits going to fund the 2019 Christmas lunch at Cafe No. 84 https://www.no84.co.uk/ for those who would otherwise be alone, and if we raise a lot of money, any extra will be donated to Crisis at Christmas.

Nearer to Christmas, we’ll have an exhibition of all the cards at No. 84 and a launch event. If loads of people get involved we could also have other exhibitions or events at local venues.

If you want to join in, here is what you have to do:

  • Design a Christmas card that you are willing to donate to the project free of charge
  • Get your design to me by the 19th May 2019
    You can send a digital image of your artwork (minimum 300 dpi) to duncangrant158@gmail.com – please put your name and contact details in the email
    OR
  • You can send me the original to be photographed professionally. Please remember to write your name and contact details on the back.
  • If you live further afield and need to send an original, drop me an email and I’ll send you my postal address.

RULES
Only one – designs must be rectangular. They can be in any size and any medium because they are all going to be photographed.

Please get involved, it will be fun.

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Lions of Windsor and other animals

After I came back from the Liberty factory in Milan in March I wrote in my blog, ‘I wondered where this journey will take me next’. Well one answer is possibly ‘Windsor’ and I certainly didn’t expect that!

A couple of weeks ago, I was contacted by award winning homeware designer, Lisa Todd, who is Director of this year’s Lions of Windsor project https://lionsofwindsor.org/, to ask if I would be interested in decorating a life-size resin and fibre glass lion to be displayed somewhere around Windsor this summer. The original lion was created by Bath sculptor Alan Dun https://alandunsculpture.weebly.com/ as a 3D canvas.

The project will involve a giant pride of over 60, individually decorated lion sculptures being positioned around the Royal Borough of Windsor and Maidenhead from 10th August until 27th October this year, to celebrate the 200th anniversary of the birth of Queen Victoria. There will be an official public art ‘safari trail’ where visitors can see the bigger lions, decorated by artists and designers, plus a mini-pride of lion cubs decorated by schools and charities.

The project will culminate in a Lions Roar Goodbye  festival (9th/10 November) and then a charity auction on 22nd November. All profits will be donated to local charities, including the new Thames Hospice in Maidenhead, Look Good Feel Better and the Lions Club of Windsor, for distributing to good causes across the region.

I haven’t really got much experience of 3D art or drawing (on) animals really. I did decorate this set of Russian Dolls in 2018 for ‘Art on a Postcard’ https://www.artonapostcard.com/ and I’ve done relief prints of a few cats, birds, water creatures and insects over the years (see below) but a 3-D lion is going to be a bit of a challenge. Not least because I have to get it home, paint it and then get it back to Windsor, without being eaten!

Russian dolls decorated for ‘Art on a Postcard’

As you might be aware, over the last year I’ve been working on a series of Small Town ink drawings. You can see then all in my Gallery under ‘Original Artwork: Ink Drawings’. https://duncangrantartist.com/product-category/original-artwork/drawing-ink/ They are all also available as digital prints. I submitted one of the Small Towns to the #LibertyOpenCall competition that I won and the two designs that Liberty have been produced are due to be launched next month as part of their Summer Collection. I’ve included elements of the Liberty Small Town design in my lion design because Liberty fabric designs were very popular in the Victorian era.

My lion design is called Night and Day  and depicts Windsor in daylight (on the side of the lion with his eye open) and Windsor at night (on the side of the lion with his eye closed). Each side will reflect Windsor’s position on the Thames, and will feature prominent landmarks, such as the castle and the Great Park. You might even spot some Windsor collars and ties with Windsor knots on the final product. I haven’t really decided.

Anyway, that’s for the future. I have to have my design accepted first. The templates are really small so what you can see here is only an impression. If I’m successful, the design on the final lion will be much more intricate.

Here is what I have submitted:

Front view
Windsor by day

 

 

 

 

 

 

 

 

And the other animals….. As mentioned above, here are some of my earlier encounters with animals. They’re all for sale via the Gallery on this website – just follow the links.

Cats

 

https://duncangrantartist.com/product/black-cat/ (also Blue Cat)
https://duncangrantartist.com/product/moon-cat-2/
https://duncangrantartist.com/product/cat/

Hares

https://duncangrantartist.com/rabbits/

 

 

 

 

 

 

 

Birds

 

 

 

 

 

 

 

https://duncangrantartist.com/product/crow/
https://duncangrantartist.com/product/raven/
https://duncangrantrist.com/product/penguins/
https://duncangrantartist.com/product/pigeon/ 

Sea creatures

 

 

 

 

 

 

 


https://duncangrantartist.com/octopus/
https://duncangrantartist.com/squid/
https://duncangrantartist.com/dogfish/

Insects

 

https://duncangrantartist.com/stag-beetle/
https://duncangrantartist.com/cheesy-bug/