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My 20-20 vision: A virtual exhibition

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In January this year, I had a short exhibition called My 20:20 Vision at St Andrew’s Arts Centre in Gravesend. It featured quite a bit of new work, including some painting, which I hadn’t done for a long time. Many of the pictures were loosely based on memories of growing up in the Gravesend Riverarea. I sold a bit and it was lovely to see everybody who came.

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Unfortunately, my 20:20 vision didn’t extend to predicting COVID-19 and the devastating effect that is having on everyone.

I’m in a high risk group for health reasons and find myself confined to barracks. Three follow-on exhibitions I planned at The Hot Tin https://www.the-hot-tin.co.uk/ Iron Pier Brewery https://www.ironpier.beer/ and Cafe No.84 https://www.no84.co.uk/ had to be cancelled so I thought I’d do a virtual exhibition on here for a bit.

BTW if you live locally, Iron Pier are providing a take away service to keep us all going while the taproom is shut. You can find out more on their Facebook site.

Anyway, enjoy the virtual exhibition. There is a bit of blurb and information about size, medium and price of all the pictures featured in the video below, with links to my gallery www.duncangrantartist.com/shop/ where you will find many, many more pictures!


The music for the video was composed by talented musician and friend Ian Kirton. He has recently been writing some tracks exclusively for Audiojungle and this is one of them. It is available to license for media projects here https://audiojungle.net/item/relaxed-friendly-inspiring-acoustic-guitar/25685439

Details of artwork in the video
You can see all my latest work, which featured in My 20:20 vision exhibition, here https://duncangrantartist.com/product-category/new-artwork/

Road and Power Lines
I’ve always liked roads heading off into the distance. I think it’s the idea of a journey and of things yet to come. I often place man-made artefacts into my art. I think it adds to the story.
Acrylic on stretched canvas
70cm X 50cm
£140
https://duncangrantartist.com/product/road-and-power-lines/

A4 digital print also available
https://duncangrantartist.com/product/road-and-power-lines-print/ 

Across the Estuary
This is the view down to the Thames from the higher chalk land on the foot slopes of the North Downs. My old stomping ground as a callow youth.
Acrylic on stretched canvas
70cm X 50cm
£140
https://duncangrantartist.com/product/across-the-estuary/

A4 digital print also available
https://duncangrantartist.com/product/across-the-estuary-print/

 

Fifty Trees
This paining is inspired by a childhood memory of walking and cycling past this row of poplars between Higham and Cliffe in Kent. Those trees are still there today.

Acrylic on stretched canvas
70cm X 50cm
£175
https://duncangrantartist.com/product/fifty-trees/

A4 digital print also available
https://duncangrantartist.com/product/fifty-trees-print/

Crows on the Field
I like the lines that fields and trees make. There is a sort of bleak beauty about winter fields.
Acrylic on stretched canvas
40cm X 40cm
£90
https://duncangrantartist.com/product/crows-on-the-field/

A4 digital print also available
https://duncangrantartist.com/product/crows-on-the-field-print/


Migraine

Ever since my serious illness, I get really bad dreams…..I’m glad when I wake up.
Acrylic on stretched canvas
40cm X 40cm
£100
https://duncangrantartist.com/product/migraine/

A4 digital print also available
https://duncangrantartist.com/product/migraine-print/

 

Happy Easter
Just a little head pattern inspired by the mysterious stone sculptures of Easter Island
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/happy-easter/

A4 digital print also available
https://duncangrantartist.com/product/happy-easter-print/

 

In a line
Populating Smalltown. Just seeing how people and movement can be applied with a few simple marks.
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/in-a-line/

A4 digital print also available
https://duncangrantartist.com/product/in-a-line-copy/

 

Ferry
Just my impression of people on a crowded ferry. Nowhere in particular. Maybe Tilbury, Galicia or Greece.
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/ferry/

A4 digital print also available
https://duncangrantartist.com/product/ferry-print/

Winter Haze
As a child, I remember cement dust everywhere around the local cement works. In this picture I was trying to capture that grey, dusty environment.
Acrylic on stretched canvas
30cm X 40cm
£90
https://duncangrantartist.com/product/winter-haze/

A4 digital print also available
https://duncangrantartist.com/product/winter-haze-print/

 

 

Lower Hope 2
This is the stretch of the Thames below Gravesend where I spent many a day as a boy fishing and having bonfires.
Acrylic on stretched canvas
40cm X 30cm
£90
https://duncangrantartist.com/product/lower-hope-2/

A4 digital print also available
https://duncangrantartist.com/product/lower-hope-2-print/

Cliff at Sunset

The chalk cliffs in Kent and Sussex always impress me when I’m lucky enough to see them.
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/cliff-at-sunset/

A4 digital print also available
https://duncangrantartist.com/product/cliff-at-sunset-print/

 

White Cliffs
I studied Geology and it was these impressive formations, made up of billions of dead sea creatures, that started my interest in the subject.
Acrylic on stretched canvas
50cm X 40cm
£125
https://duncangrantartist.com/product/white-cliffs/

A4 digital print also available
https://duncangrantartist.com/product/white-cliffs-print/

Under the Pylon
The 400kv Thames Crossing is an overhead powerline crossing the River Thames, between Botany Marshes in Swanscombe in Kent and West Thurrock in Essex. Its towers are the tallest electricity pylons in the UK.
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/under-the-pylon/

A4 digital print also available
https://duncangrantartist.com/product/under-the-pylon-print/

 

 

Salt Flats
This drawing is inspired by a childhood memory of fishing and messing about by the Thames down river from Gravesend, Kent.
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/salt-flats/

A4 digital print also available
https://duncangrantartist.com/product/salt-flats-print/

Red Sky
Chimneys were on every horizon in my childhood and, to be honest, I like drawing them and the have become a recurring theme in my art.
Ink on A4 acid-free paper
£120
https://duncangrantartist.com/product/red-sky/

A4 digital print also available
https://duncangrantartist.com/product/red-sky-print/

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Fluid Landscapes: Responses inspired by the river at Gravesend and the nearby marshes

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Thank you to everyone who came to my exhibition My 20:20 vision last month at St Andrews Arts Centre in Gravesend. It was really well attended, despite the short notice. It was lovely to see everybody and I sold a bit, which is always nice.

Thanks also to the Iron Pier Brewery https://www.ironpier.beer/ who provided the beer. The Perry Street Pale went down really well.

The exhibition featured quite a bit of new artwork – I’ve started painting again – a lot of it inspired by my experiences growing up in Gravesend. You can see this new artwork, all in one place at the moment, on my website https://duncangrantartist.com/product-category/new-artwork/

Breezy Day: Duncan Grant

 

Among the pieces, there’s one of Rochester Road where I grew up and where my mum still lives. There are the bonfires that used to be built on the communal ground up at Barr Road in the run up to November 5th. And there are a few different treatments of the strange line poplars that I used to walk and cycle past and that still act as wind breaks in the fields between Higham and Cliffe, .

But the biggest influence on my art has always been the Thames. If you live in Gravesend you can’t avoid it: the river is just part of your life. Its cranes and chimneys, and now the wind turbines at Tilbury, are visible from the town centre and from loads of other vantage points. As I was growing up, I could see a ‘slice’ of river between the houses over the road, from our front bedroom.

As a kid I used to go walking on the marshes with my dad and sometimes we went over to Tilbury on the ferry to visit relatives.

Rochester Road: Duncan Grant

Later, as a teenager, I spent loads of time down on the Thames foreshore and in the backwaters, out on my bike, with my mates, fishing and just generally messing about.

I think it’s pretty safe to say that if you’re from Gravesend, you’ll have your own perceptions and memories of the river. After all, it is the reason the town is here and it was once a major source of employment for Gravesend folk.  It really is an ever present figure, flowing through our lives and shaping the history and geography of the place.

Salt Flats: Duncan Grant

 

I wrote a blog about the Thames in March last year. If you missed it, here is a link which includes some of my older pieces inspired by the river, as part of a soundscape https://www.duncangrantartist.com/2019/03/20/drawing-inspiration-from-the-thames/

Fluid Landscapes
Gravesham Arts’ Fluid Landscapes: Responses inspired by the river at Gravesend and the nearby marshes project is now extending an invitation to local creatives to express their particular relationship with the Thames through their art, writing and poetry.

This project is being led by Heather Haythornthwaite, who was one of the artists selected for the Gravesham Arts Sponsored Artist Programme for 2019-2020. Heather runs the The Hazelnut Press, a fine art printmaking studio in Rochester, Kent, and her own artwork often explores the histories embodied in the local landscape and people’s personal experience of them. She is particularly interested in depicting familiar and overlooked places.

Where the Marsh Meets the Sea: Heather Haythornthwaite


Fluid Landscapes
works like this. A series of concertina ‘sketchbooks’ are shared and circulated between participating artists. Each artist adds an original hand drawn picture, painting or collage, inspired by the Thames at Gravesend, to one of the pages in the sketchbook. Then, within 48 hours, the sketchbook is passed on to the next artist. That artist adds their contribution, and so the process continues until the sketchbook is full.

Although a wide range of different artistic contributions are welcome, there are some restrictions. Artists are asked not to use anything too fragile or thick, and the work must be completely dry before the sketchbook is passed on! There is more information, some guidance notes and some quotes and video to help inspire you, on Heather’s website https://www.hazelnut-press.com/fluid-landscapes

St. Andrew’s Arts Centre

The Fluid Landscapes project will culminate in an exhibition at the St Andrew’s Art Centre in Gravesend – the place where I had my recent exhibition – at the end of  May 2020. At the heart of the show will be the communally produced concertina ‘sketchbooks’, accompanied if there is room, by other freestanding art pieces, writing and poetry, all focused on and inspired by the theme of the Thames at Gravesend and its marshes. Heather hopes that the sketchbooks will find a more permanent home somewhere in Gravesend, after the exhibition is finished.

Heather is already working with the Gravesend Art Group http://www.gravesendartgroup.co.uk/on this project but if you would like to get involved and produce a piece of art that expressses your own particular relationship with the Thames, there is still time.

Fluid Landscapes is not an open access project, you have to have your ‘application’ accepted if you are to take part.  So, if you are interested in taking part, please contact Heather at info@hazelnutpress.com

And if you would like to find out more about The Hazelnut Press and its print-making courses, follow this link https://www.hazelnut-press.com/

 

 

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Update: Exhibition of new work, Christmas cards, blog and Liberty fabric spotting

 

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Time for a few more quick updates.

My 20:20 vision – Exhibition of new work

I’ll be exhibiting some new work for 2020- inspired by my childhood, my town and other stuff – next weekend at St Andrew’s Arts Centre in Gravesend. Private view (you are all invited) from 6pm on Friday 24th January. There will be beer https://www.ironpier.beer/ and biscuits.

The exhibition continues on Saturday 25th January and Sunday 26th January from 10am to 4pm. There will also be biscuits and maybe beer then too, depending on how much gets (many get) drunk on Friday night.

Do pop along if you can!

New work will be added to my website in February https://www.duncangrantartist.com/shop/

St. Andrews Arts Centre has an interesting history. As you can see, it used to be a church. The Diocese of Rochester decided to close the church because of the cost of repairs, but it was rescued and bought by Gravesham Borough Council in 1975 and transformed into an Arts Centre.

The original church was built to serve Gravesend’s waterside community. In the middle of the 19th Century, the river Thames was really busy with cargo and passenger vessels preparing to sail to Australia, New Zealand or the Americas. Emigrants often lived on board ship, sometimes in terrible conditions, for weeks before they sailed.

Smaller boats serviced the larger ships and the crews of these boats lived with their families and livestock on barges moored just offshore. The priest of the local Holy Trinity Church, Rev C E R Robinson, considered all these people to be his parishioners and visited them. Records show that he carried out over 600 baptisms for emigrants wanting to be blessed before their departure.

A couple of interesting facts for you about St Andrew’s.
Did you know?

  • Most UK churches are aligned east/west. But St Andrew’s is aligned north/south because that was the land that was available and its parish was the river
  • The ceiling of St Andrew’s is shaped to resemble an upturned boat.

Come along to see for yourself next weekend. Did I mention that there will be Iron Pier beer, and biscuits?

Last word on Christmas cards
A big thank you to everyone who contributed to the Christmas card project, either by contributing a design or by buying the cards.  We raised £900, enough to fund Christmas lunch at Cafe No. 84 https://www.no84.co.uk/ this year, and with money left over either to fund a similar event next year if the cafe owners decide to do it again, or to donate to Crisis at Christmas if not. If you’re not sure what I’m taking about, more info here: https://duncangrantartist.com/2019/04/07/only-261-more-days-until-christmas-time-to-think-about-lunch/

Liberty fabric scraps of news
I think my Liberty fabrics have sold out now. The last remnants were in the recent Liberty sale.

The Faber & Faber edition of the Booker Prize winning Milkman was in the shops at Christmas. Did you see this interview with Anna Burns, the author, and me?
https://www.libertylondon.com/uk/features/design-and-living/faber-interview-anna-burns-duncan-grant.html

 

 

 

Now a new hobby for me is watching products made from my fabric springing up in different places, especially in Japan, where you can buy pencil cases and other small gifty type bits in a Small Town design. I saw this one on Instagram and contacted them to ask if I could buy a pencil case. A woman replied. She said she liked my art and would send me one as a gift. As the parcel weighed less than the 2kg allowed, she has filled it up with Japanese sweets. Nice. Looking forward to receiving it soon.

Here is another one.

Top blog!
This blog has been going for just under a year now and you may have noticed that it has changed a bit. I ran out of things to say about myself and started featuring other talented and interesting artists of my acquaintance – check the archive. Well, imagine my surprise when I found I’d been included in Feedspots Top 100 Art Blogs and websites to follow in 2020.  I’m currently in at number 81 pop-pickers https://blog.feedspot.com/art_blogs/

I’m not really sure what this means or whether it will do me any good but I’d like to stay on the list.

If you’re reading this, you’re probably already following the blog. But I would like to attract more followers if possible – aiming to get 200 maybe by the end of this year – have 159 at present. So if you know anyone who you think might be interested, just ask them to pop their email in the box at the top of this page AND THEN really important, click to confirm on the link that is sent out (it might go to spam, so check). They’ll get an email alert when each blog comes out – about once a fortnight – no spam, no ads, I promise. Thank you.

Well that’s it. I’ll be back with another really interesting artist for you in a week or two.  Hope to see some of you at the exhibition. Did I say there would be biscuits and beer…..?

 

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Lino print workshop and a big bike

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I’ve been working on the roads pretty much full time over the last few weeks so not much time for doing art or blogging about it. So it was really good yesterday, to kick back with a few others for a day of lino cutting at St. Andrew’s Arts Centre in Gravesend http://www.graveshamarts.co.uk/.  It was a mixed group in terms of previous lino cutting experience but, as you can see from the pictures below (with thanks to Mandy Wooding and Amanda Groom Davies) everyone had got the hang of it – with minimal blood letting – and everyone produced some great work by the end of the day.  

Was good also to see ‘Penny Les’ New who dropped in on his massive bike, pictured here outside St Andrew’s and the magnificent LV21 https://lv21.co.uk/

 

If there’s enough interest I’d love to run another workshop soon and am happy to come and work with groups if anyone would like me to. Just contact me via the website. If you haven’t already subscribed to my website, please do, then you’ll get regular updates of forthcoming events. Just put your email in the subscription box and click on the link it sends. You won’t get bombarded with stuff, I promise.

In the meantime, here is an earlier blog I wrote about lino cutting. https://duncangrantartist.com/2019/06/16/what-a-relief-a-blog-about-lino-cutting/  If the summer holidays are beginning to drag maybe try a bit of Dry Point with the kids to get them started. https://www.bing.com/videos/search?q=you+tube+dry+point+polystyrene+print&view=detail&mid=1AF60B09C714A34E43DF1AF60B09C714A34E43DF&FORM=VIRE

Enjoy the pictures from yesterday. And if you are interested in seeing more of my limited edition relief print work, you can find them all here https://duncangrantartist.com/product-category/prints/lino-cut-prints/

Amanda Groom Davies
Amanda Groom Davies

 

 

 

 

 

 

 

 

 

Amana Groom Davies
Mandy Wooding

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Heart of Darkness revisited: Some lino prints

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While I was adding some more pictures to my gallery a couple of weeks ago, I came across a series of lino prints that I did for a local art project in 2017, based around Joseph Conrad’s book Heart of Darkness. https://www.gutenberg.org/ebooks/526

Heart of Darkness begins aboard the British ship, Nellie, which is anchored in the Thames, near Gravesend. As the crew wait for the weather to clear, one of the sailors, Marlow, tells the story of the time that he travelled in a steamboat up the River Congo. He describes his shock at the European traders’ treatment of the natives and how the experience of trading in Africa changes people. He relates what he has learnt about the darkness of the human heart, and the things of which that darkness is capable.

In Chapter One, Conrad describes the scene from the ship, Nellie, looking up the river towards London.

Chapman Light on the Thames features in Chapter 1 of Joseph Conrad's Heart of Darkness
Chapman Light – limited edition lino print

The sun set; the dusk fell on the stream, and lights began to appear along the shore. The Chapman light-house, a three-legged thing erect on a mud-flat, shone strongly. Lights of ships moved in the fairway—a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars.

I’ve done a lino print of the Chapman Lighthouse, separately from the Heart of Darkness project. https://duncangrantartist.com/product/chapman-light/

The 2017 Heart of Darkness art project, hosted by St Andrews Arts Centre in Gravesend, was organised by Terry Lane, who I used to work with back in the day.  It featured excerpts read from the book, accompanied by projected images and live music composed specially for the event . The bands involved were The Closer We are to Dying (Terry’s band) https://www.facebook.com/thecloserwearetodying/ Whthppnsfpshthtbttn?, The Bleak Industrialists and The Science Department, and the projections were produced by Mike and Romana from The Hot Tin www.the-hot-tin.co.uk through their company Routestock https://www.routestock.org/about?fbclid=IwAR3AQlfQ_wjB4IzGoxS2dLPqbWpEOEAAfR0_2GSOaJuRqSMiw7xaFjkVn6o

The boat anchored on the Thames at the start of Conrad's Heart of Darkness
Boat – limited edition lino print

Several local artists, including me, provided artwork, inspired by scenes from the book. Others involved were Matt Kilda, Jane Prangnell, Mark Wrangham and Nikki Price.

Mental health is a key theme in Heat of Darkness and the show was produced in association with North Kent MIND http://northkentmind.co.uk/, with all ticket money donated to them.

If you missed it, these You Tube clips give a flavour of the event.



If you’ve read the book you’ll know that, as well as being an adventure story, Heart of Darkness is bleak. It explores thenes of greed, cruelty and humanity, and raises troubling questions about imperialism. It is said that Conrad made the book deliberately hard to read. He wanted the reader to feel as though they were fighting through the jungle, just like Marlow did in search of the desperate and deranged ivory trader Kurtz.

My pictures, all lino cuts for the project, focused mainly on the weird and the macabre in the book, plus a couple of others on a maritime theme.

Maps and charts use for navigation up the Congo in Conrad's Heart of Darkness
Chart table – limited edition lino print

As a boy, Marlow, the storyteller in Heart of Darkness, was fascinated by maps and longed to be an explorer. After several years sailing in the Pacific he returns to London, and inspired by a map of Africa and the Congo River that he sees in a shop window, he takes a job as a steamboat pilot and sets off into Africa dreaming of adventure.

River Congo described as a snake in Conrad's Heart of Darkness
Snake – limited edition lino print

But Marlow’s comparison of the river to a coiled snake is a portent of the evil he would later encounter.

But there was in it one river especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land. And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird – a silly little bird.

Marlow soon realises that his employer, ‘the company’, is in the Congo for gain and to spread European ideals. ‘The company’ say they are ’emissaries of light’, but what Marlow sees are ‘groves of death’.

Images - Conrad's Heart of Darkness
Heads – Limited edition lino print
Death and decay in Conrad's Heart of Darkness
Skeletons – limited edition lino print

 

 

 

 

 

 

 

 

Heads on sicks at the climax of Conrad's Heart of Darkness
Heads on sticks – limited edition lino print

 

The heads on sticks appear at the end of the book and symbolise Kurtz, the ivory trader’s, excessive brutality and madness.

Now I had suddenly a nearer view, and its first result was to make me throw my head back as if before a blow. Then I went carefully from post to post with my glass, and I saw my mistake. These round knobs were not ornamental but symbolic; they were expressive and puzzling, striking and disturbing—food for thought and also for vultures if there had been any looking down from the sky; but at all events for such ants as were industrious enough to ascend the pole. They would have been even more impressive, those heads on the stakes, if their faces had not been turned to the house. Only one, the first I had made out, was facing my way. I was not so shocked as you may think. The start back I had given was really nothing but a movement of surprise. I had expected to see a knob of wood there, you know. I returned deliberately to the first I had seen—and there it was, black, dried, sunken, with closed eyelids—a head that seemed to sleep at the top of that pole, and, with the shrunken dry lips showing a narrow white line of the teeth, was smiling, too, smiling continuously at some endless and jocose dream of that eternal slumber.

I was interested to find out that the film Apocalypse Now  was based on the Heart of Darkness, but set in the jungles of Vietnam during the Vietnam War. It explores the ways in which the ‘darkness’ of Vietnam caused an apocalypse in the hearts of those sent there to fight, just as the ‘darkness’ of the Congo revealed the darkness in the hearts of the European traders.

My Heart of Darkness  limited edition lino prints are available to buy in my gallery https://www.duncangrantartist.com/shop/

Boat – https://duncangrantartist.com/product/heart-of-darkness-series-boat/
Chart table – https://duncangrantartist.com/product/heart-of-darkness-series-chart-table/
Heads – https://duncangrantartist.com/product/heart-of-darkness-series-heads/
Skeletons – https://duncangrantartist.com/product/heart-of-darkness-series-skeletons/
Heads on sticks – https://duncangrantartist.com/product/heart-of-darkness-series-heads-on-sticks/

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What a relief – a blog about lino cutting!

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Last weekend I did a lino cutting workshop at Northfleet Central, Northfleet Big Local’s community centre http://www.northfleetbiglocal.com/  After a short demonstration, everyone got going and produced some amazing work – see the slideshow below. Thanks to Mandy Wooding and Mandi Knight for the photographs.

Don’t worry if you missed the workshop, I’ll be running another one at St Andrew’s Arts Centre on August 11th, 11am until 5pm-ish. Tickets are £10, including materials. Proceeds will go to the Cafe 84 Community Christmas Dinner fund. https://duncangrantartist.com/2019/04/07/only-261-more-days-until-christmas-time-to-think-about-lunch/ If you want to come to the workshop, please let me know as soon as possible, as places are limited. More information here: https://duncangrantartist.com/event/lino-printing-workshop/

This slideshow requires JavaScript.

Lino cutting is a type of relief printing. It developed from wood cutting, which was the main way of illustrating books before hot metal etching plates were used.

Lino (linoleum) was invented and used as a floor covering in 1863. It’s a natural product made from solidified linseed oil, pine rosin, ground cork dust, sawdust, and chalk. The name was coined by Frederick Walton who combined the Latin word for flax, ‘linum’ with the Latin word for oil, ‘oleum’.

The lino cutting technique wasn’t really used by artists until the 1900s. Some of the first examples of lino printing as art came from artists in Die Brücke, Germany, where the technique had previously been used for printing wallpaper. In 1911, ‘linoleum art’ by Vojtěch Preissig made its first appearance in a gallery in New York City.

When Picasso and Matisse used lino cutting in their work, it became an established professional print medium.

 

 

 

 

 

 

 

 

The lino cutting technique is quite simple. I start by cutting my lino squares. Because it is a natural material, if it is cold, lino can be brittle and break. So I work with two pieces at once. I sit on one to warm it up while I work with the other.

Lino is a great medium for printing because, once it is warm, it is soft, pliable and easy to cut. Also, unlike wood, it doesn’t have a grain so you can cut in all directions equally easily. Before you start to cut, sand the lino gently with a fine grade sandpaper. This helps the ink to stick and makes it easier to get a consistent result when you print.

In the UK , lino was made in Kirkcaldy, Scotland by the Nairn family. It is still used as flooring in hospitals and prisons because it is so durable and hardwearing, but it has been largely superseded in by vinyl and laminate flooring for domestic use. This means it is now quite difficult to get off-cuts to use for artwork, although there is still a major lino stockist in East London. You can, however, buy alternatives to lino in art shops. So, for example, children often learn relief printing using ‘dry point’ on thin polystyrene tiles.

Anyway, once you have your lino ready, you cut your design with sharp V- or U-shaped tools. Be careful, lino cutting is a blood sport! Remember, the uncut (raised) areas are a reverse of the image you want to print.

Next you spread a thin layer of ink on a glass plate. I use a glass chopping board from Lidl. Then, you ink up your carved lino with a roller, called a brayer, and then place it on to a sheet of paper, holding it carefully in one position. You need to press down evenly. I do this by hand, using a metal spoon, pressing it all over so I get an even print. Some people use a printing press. This YouTube video gives a good introduction.

I’ve been lino printing now for about five years – I’m not sure how long really. I like it because it is so ‘hands on’.  As a teenager I was always whittling away, turning bits of wood into animals and other objects, and it’s really the tactile nature of lino printing that appeals to me. It allows you to put your ideas directly into your hands as you carve your design and, although you’ve got to concentrate, it’s relaxing because you’re not thinking too deeply, you’re just there in the moment with your design. As far as the prints go, I quite like the monochrome effect and also that sense of never quite knowing what you’re going to get when you peel that first print off the lino.

Here are a few of the limited edition prints I have done and which are for sale in my gallery.  There are loads more. Just go to https://duncangrantartist.com/product-category/prints/lino-cuts-prints/. Specific links to the image feaured at the top of this blog and the three you can see here are given below.

 

The image featured at the top of this blog is Fear of Falling it is part of a series I did about the Tube https://duncangrantartist.com/product/fear-of-falling/

Those above are:
Washing Day https://duncangrantartist.com/product/washing-day/
Octopus https://duncangrantartist.com/product/octopus/
Shipbuilding https://duncangrantartist.com/product/shipbuilding/

UPDATE (18/6/19)
Interesting article on the Times today The artists who printed the modern world – Cutting Edge: modernist British Printmaking at Dulwich Picture Gallery https://www.thetimes.co.uk/edition/times2/the-artists-who-printed-the-modern-world-cutting-edge-modernist-british-printmaking-at-dulwich-picture-gallery-rbm9s3rtz